• Premium ultra-low noise, high-headroom analog mixer
• 16 state-of-the-art XENYX Mic Preamps
• Neo-classic "British" 3-band EQs with semi-parametric mid band
• 4 bus outputs and additional Mono output with sweepable Low Pass filter for subwoofer application
• 2 independent studio-grade 24-bit stereo FX processors with 99 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
• 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes
• FBQ Feedback Detection system instantly reveals critical frequencies
• Peak LEDs, Mute, Main mix and subgroup routing switches, Solo and PFL functions on all channels
• Standby switch mutes all channels during breaks while background music is provided via CD/Tape inputs
• 2 stereo input channels with 4-band EQ plus 2 additional stereo input channels with Level and pre-fader Aux controls
• Inserts on each mono channel and main mix for connection of outboard equipment
• 4 Aux sends per channel: 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send)
• Balanced Main mix outputs with 1⁄4" jack and gold-plated XLR connectors, separate Control room, Headphone and stereo Tape outputs
• Solo-In-Place and Pre-Fader-Listen functions plus full-featured Talkback section
• Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls
• Internal autorange power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• High-quality components and exceptionally rugged construction ensure long life
• Conceived and designed by BEHRINGER Germany

If you want classic analog handling but can’t skimp on superior digital effects and studio-grade mic preamps, the SX2442FX is your new best friend. This mixer’s 16 mic inputs, 8 stereo inputs and 4 buses give you enough leeway to handle anything from a graduation speech to a small orchestra.

Classic control, state-of-the-art sound

Each of the SX2442FX’s 16 mic inputs connects to our world-famous, studio-grade XENYX mic preamps. They are legendary for their high headroom, warm natural timbre and utter lack of background noise. Plug in a large-diaphragm condenser mic and track a vocal to hear XENYX’s rich detail and spaciousness. Plug in a dynamic mic and stick it inside a bass drum to appreciate the whopping headroom.

You may experience side-FX…

Whether you need to add a dab of reverb or delay to a live vocalist’s mic or warp a hard day’s studio session into psychedelic quicksand, the SX2442FX has you covered. We gave this mixer two independent studiograde 24-bit stereo FX processors with 99 awesome presets to provide the perfect sonic garnish. “Sure they’re great for live sound, but I have a lot of cool plug-ins for recording,” we can hear some of you saying. Truth be told, you never have too many effects. And when you hear the quality of the SX2442FX’s FX, you may want to give your overworked CPU a rest.

Naturally we gave you a whole palette of creative effects like reverb, chorus, flanger, delay and pitch shifter tones, as well as mind-bending multi-effects to take your sound out of this world. But you also get problem solving workhorses like compression and gating plus final effects such as Ultramizer, Ultrabass and Exciter that can put a PA or studio mix over the top. And because there are two processors, you can cue two separate effects, then apply one or both to channels 1 through 20 — compression for the vocalist, reverb for the vocalist and snare drum, for example.

What the heck is “British EQ”?

A good thing to have on your side when you start reaching for those channel equalization knobs. At a live concert or in the studio.

Think of it as kinder, gentler, more musical EQ like the type found on classic British consoles from the 60’s and 70’s. Single malt scotch instead of Everclear. Home-baked cherry cobbler instead of an artificial cherry lollypop. British EQ’s distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled.

All SX2442FX mono channels have low and high shelving plus a sweepable “midrange” you can move anywhere from 100Hz to 8kHz. Think of it as your roving English troubleshooter.

Studio Set-Up

Live Set-Up

Callouts

SX2442FX Manual

Available in Multiple Languages

EN	DE	DA	NL	FI	FR	EL	IT	JA	PT	ES	SV	ZH	RU	PL

Brochure

Download this as a PDF file.

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